Pre-recorded work composed in studio, projected on loudspeakers in concert, without intervention of live sound sources.

Spatialised performance of acousmatic pieces deals with directing sounds on multiple loudspeakers spread accross the concert room. Musiques & Recherches’ acousmonium has 76 loudpseakers and an analogic console that allows 44 pathes of spatial projections. The performance competition is “manual”, i.e. without computer-based system memorising spatial configurations. The performer is hands on the console during the competition. His/her physical presence during the performance is required.

The competition is open to the public. It will take place at the Theatre Marni in Brussels during the XIX° international acousmatic festival “L’Espace du Son”, which will take place from 24 to 28 October 2012.
Registrations and other documents requested in the Competition Regulation must be sent to Musiques & Recherches by email by 15 June 2012 (Brussels time), at the latest. There are no registration fees.
Each participant selected for the final will perform four stereo works, including: a work imposed by the jury, a work of his/her choice (personal compositions not allowed), two works drawn the day before his/her performance from a list of pieces proposed to the participant after his/her registration.
The maximal duration of each work is 10 minutes. The prizes will be awarded at the end of the festival.

http://www.musiques-recherches.be/en/agenda/item/5445-concours-de-spatialisation-espace-du-son

Becas de producción musical para jóvenes creadores.

english     http://iua.upf.edu/?q=node/63
castellano    http://iua.upf.edu/?q=es/node/65
català     http://iua.upf.edu/?q=ca/node/64

Murcia 14 y 15 de mayo.

Centro Párraga

Descargar folleto

13th Electroacoustic Composition Competition Musica Viva 2012

RULES

1. The works submitted for the competition shall be electroacoustic pieces, composed and recorded in studio. They are to be projected by loudspeakers in concert, without any intervention of live sound sources. They may include a maximum of eight channels and should have duration between five and fifteen minutes.
The competition is open to composers of any nationality and age, each of whom may submit only one work, which was not commercially published or awarded a prize in any other national or international competition. Any previous Música Viva prize-winning composer will not be allowed to submit a work during the two years following the prize award.

2. All entries should be sent via internet only in 1 single Zip File through UPLOAD on the Miso Music’s FTP at the following address:
http://www.misomusic.com/competitions/electroacoustic.html
The Zip File containing the candidate’s application should contain 3 files inside a single folder:

-       1 Text file (.doc, .txt, .rtf or .pdf) with a short biography, contact information, as well as information about the piece (methods used, concept, etc.)

-       proof of nationality and age (a scanned image of passport or other document containing this information)

-       1 Audio file .AIFF or .WAV format 16bit 44,1kHz containing the stereo version of the piece*
* Additionally, in case of works with more than two channels (multichannel pieces) the audio files corresponding to each of the channels in AIFF or WAV format should be recorded on a CD-R or DVD-data and submitted by post to:

13^th Electroacoustic Composition Competition Música Viva 2012
Miso Music Portugal
Rua do Douro 92,
Rebelva – 2775-318
Parede – Portugal

Aquí más información

Grupo facebook:

http://www.facebook.com/group.php?gid=104825933010

Nueva lista de correo:

http://launch.groups.yahoo.com/group/amee_lista_correo/

La Conferencia Internacional sobre Computer Music se realizará este año 2012 en Slovenia en la ciudad de Liubliana del 9 al 15 de septiembre.

The conference welcomes the submission of a wide range of papers and music, covering all aspects of technical, creative and aesthetic issues around the use of computers in music. The theme of the 2012 conference is “Non-Cochlear Sound”, which can be understood as an analogy to the Duchampian notion of non-retinal art. The aim is to investigate the potential of sound as a medium and further, the potentials of music in conjunction with new technologies to create new possibilities of artistic expression, which could create a closer relation to language and consequentially, enable generation of meaning and production of knowledge. Submissions emphasizing this theme are particularly welcomed and, like in the recent years, ICMC 2012 will again include a piece plus paper category in which it will be possible for such links to be made explicit. The conference will also be programmed to juxtapose paper sessions on particular topics with concerts in which related ideas inform musical works.

CALL FOR PAPERS AND WORKS

]]> http://www.musicaelectroacustica.com/amee/convocatorias/call-for-works-icmc-2012/feed/ 0 http://www.musicaelectroacustica.com/amee/conciertos/concierto-de-sergio-albacete-en-granada/ http://www.musicaelectroacustica.com/amee/conciertos/concierto-de-sergio-albacete-en-granada/#comments Wed, 14 Dec 2011 10:38:41 +0000 José López-Montes http://www.musicaelectroacustica.com/amee/?p=644 Dando fin a las actividades del XVIII Punto de Encuentro en su sede granadina, os invitamos al concierto de saxo, electrónica y vídeo en vivo programado para el próximo lunes 19 de diciembre en el Auditorio del Conservatorio Superior de Música “Victoria Eugenia” de Granada.
El magnífico saxofonista Sergio Albacete nos ofrecerá un programa integrado por las siguientes obras:

P. Schaeffer: Intermezzo
J. Gersol / S. Albacete: Anan
G. Ligeti: Artikulation
J. Durán: Rimas del viento asimétrico
P. Henry: Eroca
J. López-Montes: Juventae Chasma (estreno)

El concierto será a las 20 horas. A las 18 horas, también en el Auditorio, tendrá lugar un taller mostrando las técnicas de manipulación de audio y vídeo en vivo que serán utilizadas. El concierto contará con la labor de Jesús Gersol en la difusión audio y en la realización del taller.

AMAN……………. 5.52
Alez Font dirección/fotografía
Elia López Coreografía performer
Joan Bagés i Rubí Música

Rabbit out of our head………… 6.31
Video Jacco van den Hoeck
Música Enrique Mateu y Gabriel González

La cordura sensible…..3’35”
Música Diana Pérez Ciustodio
Video Alvaro Ledesma

Julias Diptychon
Gest……… 6.07
Autoparaphrasis nach Atanos……….. 7.38
Música y video José López Montes

Crisalidi…………. 11.05
Video y Música: Stefano Scarani y Julia Chiner

Más información en: http://www.laboratorioklem.es/Espacio_KLEM_2011.html

El link lo podéis encontrar en la página de Enlaces o aquí: “Synchresis”

Todas ellas de 8 canales difundidas en un sistema de 26.4 Genelecs.

Más información en: http://www.essim.gr/meres2011/en/index.html

CIME WEB: http://www.cime-icem.net/